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Photo: Aaron Sarles

“His mastery of the guitar, ranging from contemporary ambient European jazz to bebop, bluesy slide guitar melded with invented open tunings channeling Satie and Debussy, harp harmonic classical guitar work to pinch harmonic-laden 80’s hard rock, would be plenty enough on it’s own. ┬áBut the sensitivity that he operates his effects pedals with is just as masterful; studio quality fade ins and fade outs done live, threshold layers of textured loops, delays and reverbs, overdriven tones from subtle fuzz to crunchy distortion, signal processing ranging from wonky ring modulation to transforming the sound of a plucked string into a bowed one, all deployed at just the right moment.” – Nick Benoit (Offbeat Magazine)

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